17c起草社区

WHEN Dillan Golightly first came out in the early 1990s, she pinched a poster promoting the Melbourne Queer Film Festival (MQFF) and hung it up in her share house bedroom.

鈥淎t that time it was a big deal 鈥� for better of society and everyone it isn鈥檛 as much of a big deal anymore, but back then it was,鈥� she told the 17c起草社区.

鈥淎bout six months into my baby dyke journey I realised there was an MQFF and had the poster in my bedroom.

鈥淭here were two androgynous people on the poster in black and white, it was amazing.鈥�

Spiro Economopoulos also remembers his first encounter with the festival in 1999.

鈥淚 remember going to the opening night for some reason, the film was called Relax… It鈥檚 Just Sex,鈥� he said.

鈥淚 was coming to MQFF before I was going to the Mel- bourne International Film Festival (MIFF), so it was the first time I was exposed to a larger festival.

鈥淚t was a really great movie actually, and a really great experience.鈥�

As it prepares for its 26th festival, MQFF welcomed Golightly as its executive director and Economopoulos as its program manager late last year.

The festival is an annual Melbourne event that aims to showcase films with an LGBTI focus from Australia and聽around the world.

With increased sexual and gender diversity represented聽in mainstream television and film, the importance of LGBTI-themed film festivals often comes into question.

Golightly answered this question by saying the festival was 鈥減roudly different鈥� 鈥� two words the festival has been branded with this year.

鈥淢ainstream cinemas still don鈥檛 showcase all of the stories we want to see,鈥� she said.

鈥淢ost of the films we show won鈥檛 get mainstream representation, and that鈥檚 what MQFF audiences have come to expect at the festival, which is why they keep coming back.

鈥淲hat makes this festival great is that this year we鈥檙e really embracing the idea that we鈥檙e proudly different.鈥�

Before Golightly and Economopoulos joined the team, previous festival director Lisa Daniel spent 16 years at the helm.

Golightly said they wanted to add to Daniel鈥檚 lasting legacy.

鈥淲hen I joined [MQFF], I saw that we do have a core LGBTI community going to the festival,鈥� she said.

鈥淏ut actually there鈥檚 a larger LGBTI community that might not have MQFF on their radar, or even the allies, the curious, the film crowd.

鈥淭o have a really curated cultural event is important to lead audiences to discover new things.鈥�

Economopoulos highlighted new parts of the program to illustrate this, such as a new music strand and package of web shorts.

鈥淲e鈥檝e been looking at how they鈥檝e been doing it, and we don鈥檛 want to reinvent it but instead introduce some new things into it,鈥� he said.

He added that as program manager it was 鈥渁mazing鈥� seeing how many stories were out there for the LGBTI community.

鈥淲hat鈥檚 interesting is that I鈥檝e realised by watching all the films that there are so many stories to tell,鈥� he said.

鈥淲hat we鈥檙e seeing in the mainstream is only a fraction of what鈥檚 out there so these festivals are a great opportunity for people to see that diversity.鈥�

Melbourne Queer Film Festival is on from March 31 to April 11. Details and tickets:

The 17c起草社区 is a proud media partner of the MQFF.

Spiro鈥檚 Festival Five:

• Closet Monster: A young man with ambivalent feelings towards his sexuality is thrown in to disarray when he meets the charismatic Wilder. However, his pet hamster is on hand throughout the film to offer sage advice.

• Girls Lost: This gender-swapping fantasy follows three outcast teen girls who find a mysterious plant that can change one鈥檚 gender overnight.

• Departure: A family vacation in southern France sees young Elliott competing for the affection of a rough and handsome village youth with his lonely mother.

• He Hated Pigeons: This is a compassionate meditation on love and grief, and will be accompanied by Frankie Topaz performing a unique live score.

• Everlasting Love: Set in a the cruising ground of the woods, this suspenseful film is Spain鈥檚 answer to recent sexual hit Stranger by the Lake.

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